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Moment(o)s

of Disquiet
& Beauty
2019

Looking for inspiration to nourish me, I walked through the streets of New York City noting details underfoot... metalwork embedded in the pavement and bitumen.

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"To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see overall patterns in our lives.

 

We need hope, the sense of a future. And we need freedom (or, at least, the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology or in states of mind that allow us to travel to other worlds, to rise above our immediate surroundings.

 

We may seek, too, a relaxing of inhibitions that makes it easier to bond with each other or transports that make our consciousness of time and mortality easier to bear. We seek a holiday from our inner and outer restrictions, a more intense sense of the here and now, the beauty and value of the world we live in."

 

—Oliver Sacks, 'Altered States', New Yorker, 2012
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© SIM LÜTTIN, 2024

Sim respectfully acknowledges the Wurundjeri people of the Kulin Nation, the traditional custodians of the land on which I create and exhibit art. I pay my respects to Elders past and present, as well as to all Aboriginal and Torres Strait Islander people in the wider Melbourne community and beyond. Indigenous sovereignty has never been ceded. I acknowledge that I work and live on the country on which Members and Elders of The Wurundjeri people and their forebears have been custodians for many centuries and on which Aboriginal People have performed age-old ceremonies of celebration, initiation and renewal. I acknowledge their living culture and unique role in this region's life.

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